Biografi Hernando Cortes | Sang Penakluk Meksiko

Photo by Hernando Cortes Mexico's Song Winner | History shop
Hernando Cortes
Sung by Arniando Cortes, it is Spain's triumphant figure, the conquest of Mexico. I was born in 1485 into a small aristocratic family in Medellin, Spain. In his youth, Herniando studied law at the University of Salamanca. At the age of nineteen he left Spain to seek his fortune in the west of the continent he had just discovered. Now in 1504 he reached Hispaniola. There is settlement.


In 1511, Herniando participated with Spain in the conquest of Cuba. After Cuba succeeds in mastering it, there is a reward it deserves. After Inyi's adventure, she married the Governor of the State of Cuba, Diego VelÃĄzquez, and was appointed Mayor of Santiago. It is not an idle assumption.


Now 1518, Velasquez, Commander, Cortes to B, Mexico to Capt. Apedici. This is where the adventure begins. Amidst the turmoil, the governor became aware of CortÊs' ambitions for Barospedici from Mexico. The governor's seat revoked the order for the expedition, but it was too late to stop Cortes. With 11 ships, from 110 lasci, 553 soldiers (including only 13 handheld firearms and 32 bows, 10 heavy cannon, 4 light cannon and 16 cud), Cortes set sail for the moon, February 1519 Accelerate Hariu Menda. Commemorates the birthday of Jesus' crucifixion in Tepee, a city whose movie is called Veracruz. Cortes stays near the beach for a while, gathering all the information about Mexico. He knew that the Aztecs who carved up Mexico had a large capital in the outback, deposits of high-value metals, and were hated by the Indian line tribes under their rule.

The Aztec Cortes, who had already made a unanimous decision to produce, proceeded to occupy the Kushan area. Some soldiers were gripped by the fear of encountering the spirit-like situation of the adversary. Seeing signs that they could not do so, Cortes had no choice but to abandon his expeditionary fleet before he was seen, move on or be killed in an Indian clearing. The strength of Cortez!

As the soldiers entered the Espanyol outback, they already encountered stiff resistance from the Indians of the Tlaxcalan tribe, an independent tribe of Indians free of their own fowl. But after the people were defeated by Hispaniol in a fierce and prolonged firefight, the Tlaxcalan people decided to surrender with Cortes against the Dibenquia Aztecs. Cortes moved on to Cholula, where the Aztec Montezuma II lived. But since Cortes had advance information of the Indians' intentions, he attacked first and carried out a massive surveillance of Cholula's thousands of men. After the crushing, he marched on Ebucota to Tenochtitlan (present-day Mexico City) and entered and captured the city without a fight on November 8, 1519. Montezuma was imprisoned, then made Bonaca. From this point of view Vijay's work seems to have been completely orchestrated.

However, another Spanish army led by Panfilo de Narvaez landed with orders to arrest Cortes. Cortes left most of his troops at Tenochtitlan and rushed to lead the rest of his troops back from the coast. De Situ D Narvaz could dismantle the troop factory and persuade the sentiment to join it However, when he reached Mbali from Tenochtitlan, his crew greatly overwhelmed the Aztecs. On July 30, 1520, they detonated a missile at Tenochtitlan, and at length the Spanish withdrew from Tlaxcala. However, CortÊs was able to get additional troops and in May he attacked Tenochtitlan again at RicuÃąa. City Falls on August 13th. After this, Espanyol's hold on Mexico was virtually secure, although Cortes still had to clear the conquered territories around the outback. Tenochtitlan was rebuilt and given a new nickname "New Mexico" and Ebucota Daara became the new Espanyol colony.

XPDC When one considers how foolish it was for Philare Cortes to carry troops, his conquest of a country of five million people is truly a remarkable military achievement. The only conquest of such a large inhabited country was the Peru of Francisco Pizarro. It is plural if farmers ask how and why Besa Cortes succeeded. In fact, horses and firearms have several contributing factors. But judging from Jehana which is not too expensive compared to the results obtained success. (It should be noted, neither of the two previous Spanish XPDCs was able to establish a permanent settlement and win a permanent victory). Of course the leadership that Cortes measures himself, courage and decisiveness are the main factors of success. No less background in painting than advanced diploma. Not only did Cortes avoid pushing the United Indians against him, but he brought surrendering Indians with him to face the Aztecs.

Cortes was also aided by Aztec Tales About the God Quetzalcoatl. According to Indian legend, this deity issued orders to the Indians regarding agriculture, mining and governance. He sings that the god is said to be tall, white-skinned and ugly. After promising to meet the Indians again, he sailed through the "Eastern Ocean," i.e., the Mexican Tuluk. This is the returning god for Montezuma in Don't-do Cortes and it's clear what he uses for his comical antics. Along with her Sandri, Rexy Montezuma faced the Spanish colonialists was weak and did not have a strong position.

Qsukssan Espanyol's final factor is his religion. For us, of course, Cortes' expedition cannot be an unpardonable aggression. Abomination without manners. On the other hand, Cortes. He thought and believed that what he said could be morally valid. He was able to do this by relating to his great-grandparents that they must win because the tower was on the right plan and the tower blasphemed under the banner of the cross. Cortes' motivation was serious and polo. More than once or twice, he risked the success of his expedition with the risky, worthless sacrifice of converting the Indians to Christianity.

Although CortÊs was an excellent diplomat when negotiating with the Indians, he was not always successful in political battles with his fellow Spaniards. The King of Spain gave him lands that made him rich and made him a noble, but replaced him as governor of Mexico. Cortes returned to Spain in 1540, and for the remaining seven years of his life, Usakha's advice to the king to please his Tetoku in "New Spain" was in vain. When CortÊs died near Servile, Spain, in 1547, he was a wealthy man but had suffered various setbacks. Extensive plantation land in Mexico has been given to Puterania.

Cortes had a greedy and ambitious nature, it was no secret. An admirer who knew her closely described her as cruel, arrogant, reckless, deceitful and fond of bikinis. But at the same time, Cortes has an admirable character: brave, full of certainty and smart. In general, he has a pleasant character. Although a determined military leader, he is not unreasonably evil. While Pizarro generally had trouble hating him, Cortes was closely associated with the Indians and tried to rule them with wisdom rather than an iron fist. Cortes has a handsome and masculine face, always a lyricist in the corner of a woman's eye.

Some say in the will Cortes was actually not sure if it was an act that justified enslaving the Indians. This made gardening difficult for him and asked his son to consider this sole carefully. During the age, apprentice grave attitudes were extremely rare. Unbalanced people could help Francisco Pizarro (or Christopher Columbus) take care of these tombs. As a result, one gets the impression that Cortes was the most civilized of all the Spanish conquistadors.

Cortes and Pizarro were born in towns fifty miles apart and Cuma ten years apart. Keberien's success (everyone who succeeds has a family form).

They both conquered Dara Yang Hahtna in the form of a continent and both carried the influence of language, religion and culture. In almost all conquered areas, political power is still held by people of European descent.

The combined influence of CortÊs and Pizarro is slightly greater than that of SimÃŗn Bolívar. This victory shifted South American politics from Indian to European hands. Meanwhile, Bolivar's victory only succeeded in transferring political power from the hands of the Spanish people to the hands of Europeans born in South America.

It seems to place CortÊs higher than Pizarro on this book list because Penaculucangna happened earlier and inspired Pizarro. Also, Indian resistance did not stop when Pizarro died, while Cortes can now be said to have succeeded in conquering Mexico. But, in my opinion, those pretentious things are a bit out of line with the available considerations. Hispaniol's passion for conquest and arsenal was clearly a threat to both the Aztecs and the Incas. Peru, sheltered by mountains, has much to protect itself from independence. Pizarro's courage and successful invasion truly changed the course of history.

However, the Aztec region is not Aden like Halgana in Peru. Also, Mexico borders on the Atlantic Ocean, therefore making it easy for EspaÃąol troops. That's Sabath, Mexico's execution by Espanyol is much smoother and easier. But, of course, Cortes' courage and leadership really helped accelerate the process of conquest.

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āĻĒāĻ¨্āĻĄোāĻ• āĻ†āĻ°েāĻ¨, āĻ†āĻ¨্āĻĻেāĻ˛ো āĻ—িāĻŸাāĻ° āĻļāĻĒ āĻĒāĻ¨্āĻĄāĻ• āĻœāĻ¯়া, āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ—িāĻŸাāĻ° āĻļāĻĒ āĻĒāĻ¨্āĻĄāĻ• āĻŦেāĻ¤ুং āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻļāĻĒ āĻ—িāĻŸাāĻ° āĻĒāĻ¨ āĻ¸্āĻŸোāĻ° āĻĄāĻ• āĻ†āĻ°েāĻ¨, āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻļāĻĒ āĻ—িāĻŸাāĻ° āĻļāĻĒ āĻĒāĻ¨্āĻĄোāĻ• āĻ•াāĻ°িāĻ¯়া, āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻļāĻĒ āĻ—িāĻŸাāĻ° āĻļāĻĒ āĻĒāĻ¨্āĻĄোāĻ• āĻ•াāĻ•াং āĻŦাāĻ°াāĻ¤ , āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻļāĻĒ āĻ—িāĻŸাāĻ° āĻļāĻĒ āĻĒāĻ¨্āĻĻোāĻ• āĻ•াāĻ•াং āĻ¤ৈāĻŽুāĻ°, āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻļāĻĒ āĻ—িāĻŸাāĻ° āĻļāĻĒ āĻĒেāĻ°িāĻ—ি āĻ˛াāĻŽা, āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻļāĻĒ āĻ—িāĻŸাāĻ° āĻļāĻĒ āĻĒেāĻ°িāĻ—ি āĻŦাāĻ°ু, āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻļāĻĒ āĻĒāĻ¨্āĻĄোāĻ• āĻĒুāĻ•ুং āĻ—িāĻŸাāĻ° āĻļāĻĒ , āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻļāĻĒ āĻ¸েāĻ°āĻĒং āĻĄিāĻ¸্āĻŸ্āĻ°িāĻ•্āĻŸ āĻ—িāĻŸাāĻ° āĻļāĻĒ, āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• 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āĻ†āĻ¨্āĻĻেāĻ˛ো āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻŽিāĻ‰āĻœিāĻ• āĻļāĻĒ āĻĒāĻ¨্āĻĄāĻ• āĻœাāĻ—ুং āĻ—িāĻŸাāĻ° āĻļāĻĒ , āĻ¸েāĻ¤ু āĻœেāĻ˛া, āĻ†āĻ¨্āĻĻেāĻ˛ো āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻŽিāĻ‰āĻœিāĻ• āĻļāĻĒ āĻ•্āĻ°াংāĻ—াāĻ¨ āĻ—িāĻŸাāĻ°েāĻ° āĻĻোāĻ•াāĻ¨ āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ•াāĻĻেāĻŽāĻ™্āĻ—āĻ¨ āĻ—িāĻŸাāĻ°েāĻ° āĻĻোāĻ•াāĻ¨ , āĻāĻ•āĻŸি āĻĄেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻļāĻĒ āĻ—িāĻŸাāĻ°েāĻ° āĻĻোāĻ•াāĻ¨ āĻĻেāĻ–া āĻ¯াāĻš্āĻ›ে, āĻāĻ•āĻŸি āĻĄেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• _ _ _ _ āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ° āĻ¸াāĻ“āĻ¯়াāĻš āĻ¸্āĻŸোāĻ° , āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ - āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ°েāĻ° āĻĻোāĻ•াāĻ¨ āĻœোāĻŽāĻŦাং , āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ - āĻ¸āĻ¸্āĻ¤া āĻ¸āĻ°ুāĻ¯়া āĻ—িāĻŸাāĻ° āĻšোāĻ¯়াāĻ‡āĻŸ āĻ¸্āĻŸোāĻ° , āĻ†āĻ¨্āĻĻেāĻ˛ো āĻļāĻĒ āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ° āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻŽিāĻ‰āĻœিāĻ• āĻĒāĻ¨্āĻĄোāĻ• āĻ°āĻž্āĻœি, āĻ†āĻ¨্āĻĻেāĻ˛ো āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ° āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻŽিāĻ‰āĻœিāĻ• āĻ¸্āĻŸোāĻ° āĻ°েāĻŽ্āĻĒোāĻ¯়া, āĻ†āĻ¨্āĻĻেāĻ˛ো āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ° 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āĻ—িāĻŸাāĻ° āĻ¸্āĻŸোāĻ° , āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° āĻ¸āĻ¸্āĻ¤া āĻĒāĻ¨্āĻĄāĻ• āĻĒুāĻ•ুং āĻ—িāĻŸাāĻ°, āĻ¸েāĻ°āĻĒং āĻœেāĻ˛াāĻ° āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ°, āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° āĻŦুāĻ¯়াāĻ°াāĻ¨ āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ°, āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° āĻ¸āĻ¸্āĻ¤া āĻ¸িāĻ¯়াāĻŸাāĻ° āĻ—িāĻŸাāĻ°, āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸িāĻ˛িংāĻ—্āĻ¯াং āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ°, āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ°েāĻ° āĻĻোāĻ•াāĻ¨ āĻ°াāĻ“āĻ¯়া āĻŽেāĻ•াāĻ° āĻœাāĻ¯়া, āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ° āĻ¸েāĻ°āĻĒং, āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ° āĻ°াāĻ“āĻ¯়া āĻŦুāĻ¨্āĻŸু, āĻ†āĻ¨্āĻĻে āĻ˛ āĻŽিāĻ‰āĻœিāĻ• āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ° āĻ˛েংāĻ•ং āĻ—ুāĻĻাāĻŽ, āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° āĻ¸āĻ¸্ āĻ¤া āĻ—িāĻŸাāĻ° āĻ˛েংāĻ•ং āĻ¸āĻ¸্āĻ¤া āĻ˛েংāĻ•ং āĻ“āĻ¯়েāĻŸাāĻ¨ āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻļāĻĒ , āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ° āĻ¸াāĻŦ āĻĄিāĻ¸্āĻŸ্āĻ°িāĻ•্āĻŸ āĻ¸াāĻ°্ āĻ¨āĻ°্āĻĨ āĻĒং āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ°, āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ° āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° āĻ˛েংāĻ•ং āĻ•াāĻ°িāĻ¯়া, āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ° āĻĒাāĻ•ুāĻ¯়াāĻ˛াāĻŽ āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° , āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ° āĻœেāĻ˛ুāĻĒাং āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° āĻœাāĻ—ুāĻ¨ āĻœি, āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ° āĻĒāĻ¨্āĻĄāĻ• āĻœাāĻ—ুং āĻ¤ৈāĻŽুāĻ°, āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ° āĻ¸েāĻ¤ু āĻœেāĻ˛া, āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻļāĻĒ āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ° āĻ•্āĻ°াāĻ¨ āĻ—āĻ—াāĻ¨, āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ° āĻ•াāĻĻেāĻŽāĻ™্āĻ—āĻ¨ āĻĻোāĻ•াāĻ¨, āĻ†āĻ¨্āĻĻেāĻ˛ো āĻŽিāĻ‰āĻœিāĻ• āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻļāĻĒ āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ° , āĻŦাāĻŦা āĻ•াāĻ¨ āĻ†āĻ¨্āĻĻেāĻ˛ো āĻāĻŽ āĻŽিāĻ‰āĻœিāĻ•্āĻ¯াāĻ˛ āĻ—িāĻŸাāĻ° āĻ¸āĻ¸্āĻ¤া āĻŦাāĻ•িāĻ¤ি āĻœāĻ¯়া। * āĻ¸িāĻĒুāĻŸাāĻŸ āĻœেāĻ˛া āĻ—িāĻŸাāĻ° āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ°েāĻ° āĻœāĻ¨্āĻ¯ āĻ—িāĻŸাāĻ°েāĻ° āĻĒ্āĻ°াāĻ¸াāĻĻ āĻœāĻŽāĻŦাং āĻ—িāĻŸাāĻ° āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ°, āĻ¸āĻ°ুāĻ¯়া āĻ—িāĻŸাāĻ° āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ°েāĻ° āĻœāĻ¨্āĻ¯ āĻ—িāĻŸাāĻ°েāĻ° āĻĒ্āĻ°াāĻ¸াāĻĻ , āĻ¸āĻ°ুāĻ¯়া āĻ‡āĻ¨্āĻĻাāĻš āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ°েāĻ° āĻœāĻ¨্āĻ¯ āĻ—িāĻŸাāĻ° āĻŦিāĻ•্āĻ°িāĻ° āĻœāĻ¨্āĻ¯ āĻ—িāĻŸাāĻ°েāĻ° āĻĒ্āĻ°াāĻ¸াāĻĻ , āĻ¸িāĻĒুāĻŸ্āĻ¯াāĻŸেāĻ° āĻœāĻ¨্āĻ¯ āĻ—িāĻŸাāĻ° āĻŦিāĻ•্āĻ°িāĻ° āĻœāĻ¨্āĻ¯ āĻ—িāĻŸাāĻ°েāĻ° āĻĒ্āĻ°াāĻ¸াāĻĻ āĻ¤ৈāĻŽুāĻ° āĻĄিāĻ¸্āĻŸ্āĻ°িāĻ•্āĻŸ āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ°, āĻĒ্āĻ¯াāĻ˛েāĻ¸ āĻ…āĻĢ āĻ—িāĻŸাāĻ° āĻŦিāĻ•্āĻ°িāĻ° āĻœāĻ¨্āĻ¯ āĻ¸েāĻŽ্āĻĒাāĻ•া āĻĒুāĻ¤িāĻš āĻ—িāĻŸাāĻ°েāĻ° āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ°, āĻĒ্āĻ°াāĻ¸াāĻĻ āĻ—িāĻŸাāĻ° āĻŦিāĻ•্āĻ°ি āĻ—িāĻŸাāĻ° āĻĒāĻ¨্āĻĄোāĻ• āĻ°āĻž্āĻœি āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ°, āĻĒ্āĻ°াāĻ¸াāĻĻ āĻ—িāĻŸাāĻ° āĻŦিāĻ•্āĻ°ি āĻ—িāĻŸাāĻ° āĻ°েāĻŽ্āĻĒো āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻļāĻĒ āĻĒ্āĻ¯াāĻ˛েāĻ¸ āĻ—িāĻŸাāĻ° āĻŦিāĻ•্āĻ°ি āĻ—িāĻŸাāĻ° āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° āĻ•েāĻĻাāĻ‰ং, āĻ‡āĻ¨্āĻŸি āĻĒ্āĻ¯াāĻ˛েāĻ¸ āĻ—িāĻŸাāĻ° āĻŦিāĻ•্āĻ°ি āĻ—িāĻŸাāĻ° āĻĒāĻ¨্āĻĄোāĻ• āĻŦেāĻ¨্āĻĻা āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° , āĻĒ্āĻ¯াāĻ˛েāĻ¸ āĻ—িāĻŸাāĻ° āĻŦিāĻ•্āĻ°ি āĻ—িāĻŸাāĻ° āĻĒাāĻŽুāĻ˛্āĻ¯াং āĻŦাāĻ° āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ°ে āĻ—িāĻŸাāĻ° āĻŦিāĻ•্āĻ°ি āĻ•āĻ°ে āĻĒāĻ¨্āĻĄোāĻ• āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° āĻ•্āĻ¯াāĻŦে āĻ‰āĻĻিāĻ• , āĻĒ্āĻ¯াāĻ˛েāĻ¸ āĻ—িāĻŸাāĻ° āĻŦিāĻ•্āĻ°ি āĻ•āĻ°āĻ›ে āĻ—িāĻŸাāĻ° āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° āĻĒāĻ¨্āĻĄোāĻ• āĻ†āĻ°েāĻ¨ āĻœেāĻ˛া, āĻĒ্āĻ°াāĻ¸াāĻĻ āĻ—িāĻŸাāĻ° āĻŦিāĻ•্āĻ°ি āĻ•āĻ°āĻ›ে āĻ—িāĻŸাāĻ° āĻĒāĻ¨্āĻĄোāĻ• āĻœāĻ¯়া āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° āĻ—িāĻŸাāĻ° āĻŦিāĻ•্āĻ°ি āĻ•āĻ°āĻ›ে āĻœুāĻ°াং āĻŽাāĻ™্āĻ—ু āĻŦাāĻ°াāĻ¤, āĻ‡āĻ¸্āĻ¤াāĻ¨া āĻ—িāĻŸাāĻ° āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° āĻĒāĻ¨্āĻĄোāĻ• āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° , āĻĒ্āĻ¯াāĻ˛েāĻ¸ āĻ—িāĻŸাāĻ° āĻŦিāĻ•্āĻ°ি āĻ—িāĻŸাāĻ° Pondok Karya āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ°. āĻĒেāĻ°িāĻ—ি āĻ˛াāĻŽা, āĻ‡āĻ¸্āĻ¤াāĻ¨া āĻ—িāĻŸাāĻ° āĻœুāĻ˛ āĻ—িāĻŸাāĻ° āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° āĻĒেāĻ°িāĻ—ি āĻŦাāĻ°ু, āĻ‡āĻ¸্āĻ¤াāĻ¨া āĻ—িāĻŸ। āĻ†āĻ° āĻ¸েāĻ˛িং āĻ—িāĻŸাāĻ° āĻĒāĻ¨্āĻĄোāĻ• āĻĒুāĻ•ুং āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° , āĻĒ্āĻ¯াāĻ˛েāĻ¸ āĻ—িāĻŸাāĻ° āĻŦিāĻ•্āĻ°ি āĻ•āĻ°āĻ›ে āĻ•েāĻ•াāĻŽাāĻ¤াāĻ¨ āĻ¸েāĻ°āĻĒাং āĻ—িāĻŸাāĻ° āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻļāĻĒ , āĻĒ্āĻ¯াāĻ˛েāĻ¸ āĻ—িāĻŸাāĻ° āĻŦিāĻ•্āĻ°ি āĻ•āĻ°āĻ›ে āĻ—িāĻŸাāĻ° āĻŦুāĻ¯়াāĻ°াāĻ¨ āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° , āĻ‡āĻ¸্āĻ¤াāĻ¨া āĻ—িāĻŸাāĻ° āĻŦিāĻ•্āĻ°ি āĻ•āĻ°āĻ›ে āĻ—িāĻŸাāĻ° āĻ¸েāĻ°āĻĒং , āĻ‡āĻ¸্āĻ¤াāĻ¨া āĻ—িāĻŸাāĻ° āĻŦিāĻ•্āĻ°ি āĻ•āĻ°āĻ›ে āĻ—িāĻŸাāĻ° āĻ°াāĻ“āĻ¯়া āĻŦুāĻ¨্āĻŸু , āĻĒ্āĻ¯াāĻ˛েāĻ¸ āĻ—িāĻŸাāĻ°āĻ¸ āĻ˛েāĻ‡ āĻ—ুāĻ‡āĻŸা āĻ—ুāĻ‡āĻŸা āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° , āĻ‡āĻ¸্āĻ¤াāĻ¨া āĻ—িāĻŸাāĻ° āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° āĻĒাāĻ•ুāĻ¯়াāĻ˛াāĻŽ āĻ—িāĻŸাāĻ° āĻŦিāĻ•্āĻ°ি āĻ•āĻ°āĻ›ে, āĻ‡āĻ¸্āĻ¤াāĻ¨া āĻ—িāĻŸাāĻ° āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° āĻœেāĻ˛ুāĻĒাং āĻ—িāĻŸাāĻ° āĻŦিāĻ•্āĻ°ি āĻ•āĻ°āĻ›ে, āĻ‡āĻ¸্āĻ¤াāĻ¨া āĻ—িāĻŸাāĻ° āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° āĻ—িāĻŸাāĻ° āĻŦিāĻ•্āĻ°ি āĻ•āĻ°āĻ›ে āĻĒাāĻ•ু āĻœāĻ¯়া āĻ—িāĻŸাāĻ° āĻāĻŦং āĻ—িāĻŸাāĻ° āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° āĻĒāĻ¨্āĻĄোāĻ• āĻœাāĻ—ুং āĻ¤ৈāĻŽুāĻ° , āĻ‡āĻ¸্āĻ¤াāĻ¨া āĻ—িāĻŸাāĻ° āĻŦিāĻ•্āĻ°ি āĻ•āĻ°āĻ›ে āĻ—িāĻŸাāĻ° āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ—িāĻŸাāĻ°েāĻ° āĻĻোāĻ•াāĻ¨ āĻŦাāĻŦাāĻ•াāĻ¨ āĻ—িāĻŸাāĻ° āĻŦিāĻ•্āĻ°িāĻ° āĻœāĻ¨্āĻ¯ āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻļāĻĒ , āĻŦাāĻ•āĻ¤ি āĻœāĻ¯়া āĻ—িāĻŸাāĻ°েāĻ° āĻĻোāĻ•াāĻ¨েāĻ° āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ—িāĻŸাāĻ°েāĻ° āĻĻোāĻ•াāĻ¨, * āĻĒ্āĻ¯াāĻ˛েāĻ¸ āĻ—িāĻŸাāĻ°েāĻ° āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻļāĻĒ। , āĻĒ্āĻ¯াāĻ˛েāĻ¸ āĻ—িāĻŸাāĻ°েāĻ° āĻĻোāĻ•াāĻ¨ āĻ—িāĻŸাāĻ°েāĻ° āĻĻোāĻ•াāĻ¨ āĻ¸াāĻ“āĻ¯়াāĻš āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ°, āĻĒ্āĻ¯াāĻ˛েāĻ¸ āĻ—িāĻŸাāĻ°েāĻ° āĻĻোāĻ•াāĻ¨ āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ—িāĻŸাāĻ° āĻ¸্āĻŸোāĻ° āĻœোāĻŽāĻŦাং, āĻĒ্āĻ¯াāĻ˛েāĻ¸ āĻ—িāĻŸাāĻ°েāĻ° āĻĻোāĻ•াāĻ¨ āĻ—িāĻŸাāĻ° āĻ¸āĻ°ুāĻ¯়া āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° āĻ¸েāĻŽ্āĻĒাāĻ•া āĻĒুāĻ¤িāĻš, āĻĒ্āĻ¯াāĻ˛েāĻ¸ āĻ—িāĻŸাāĻ°েāĻ° āĻĻোāĻ•াāĻ¨ āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻ¸্āĻŸোāĻ° āĻĒোāĻ¨। dok Ranji, ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ Istana Gitar Toko Gitar Rempoa, ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ Istana Gitar Toko Gitar Rengas, ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ Istana Gitar Toko Gitar Cireundeu, ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ Istana Gitar Toko Gitar Pisangan, ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ Istana Gitar Toko Gitar Kecamatan Pamulang, ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚ -ĐŧĐ°ĐŗаСĐŊ āĻ‡āĻ¸্āĻ¤াāĻ¨া āĻ—িāĻŸাāĻ° āĻŸোāĻ•ো āĻŦাāĻŽ্āĻŦু āĻ…্āĻ¯াāĻĒাāĻ¸ āĻ—িāĻŸাāĻ°, иĐŊŅ‚ĐĩŅ€ĐŊĐĩāĻšিāĻ¤্āĻ°- Ist āĻ‡āĻ¸্āĻ¤াāĻ¨া āĻ—িāĻŸাāĻ° āĻŸোāĻ•ো āĻ•েāĻĻাং āĻ—িāĻŸাāĻ°, иĐŊĐĩŅ€ĐĩŅ€ĐĩŅ‚- āĻ‡āĻ¤্āĻ¯াāĻĻি āĻ‡āĻ¸্āĻ¤াāĻ¨া āĻ—িāĻŸাāĻ° āĻĒāĻ¨্āĻĄāĻ• āĻ—িāĻŸাāĻ° āĻĒāĻ¨্āĻĄোāĻ• āĻŦেāĻ¨্āĻĄ āĻ, āĻ‡āĻ¸িāĻŸাāĻ°-āĻ—িāĻŸাāĻ° āĻĒāĻ¨্āĻĄোāĻ• āĻŦেāĻ¨্āĻĄ āĻ , āĻ‡āĻ¸িāĻŸাāĻ°-āĻ—িāĻŸাāĻ° āĻĒāĻ¨্āĻĄোāĻ• āĻŦেāĻ¨্āĻĄ āĻ āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻļāĻĒ āĻ—িāĻŸাāĻ°েāĻ° āĻĻোāĻ•াāĻ¨ āĻ¨āĻ¤ুāĻ¨ āĻ…āĻŦāĻœেāĻ•্āĻŸ, āĻ‡āĻ¸্āĻ¤াāĻ¨া āĻ—িāĻŸাāĻ° āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻļāĻĒ āĻ—িāĻŸাāĻ°েāĻ° āĻĻোāĻ•াāĻ¨ āĻĒāĻ¨্āĻĄোāĻ• āĻ•্āĻ¯াāĻŦে āĻ‡āĻ˛িāĻ°, āĻ‡āĻ¸্āĻ¤াāĻ¨া āĻ—িāĻŸাāĻ° āĻ…āĻ¨āĻ˛াāĻ‡āĻ¨ āĻļāĻĒ āĻĒāĻ¨্āĻĄāĻ• āĻ•্āĻ¯াāĻŦে āĻ‰āĻĻিāĻ• āĻ—িāĻŸাāĻ°েāĻ° āĻĻোāĻ•াāĻ¨ , ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ āĻ‡āĻ¸্āĻ¤াāĻ¨া āĻ—িāĻŸাāĻ°েāĻ° āĻĻোāĻ•াāĻ¨ āĻ—িāĻŸাāĻ°েāĻ° āĻĻোāĻ•াāĻ¨ āĻĒāĻ¨্āĻĄোāĻ• āĻ†āĻ°েāĻ¨ āĻœেāĻ˛া, ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚ -ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚ Guitar , Pondok Aren District - ĐŧĐ°ĐŗаСиĐŊ āĻ‡āĻ¸্āĻ¤াāĻ¨া āĻ—িāĻŸাāĻ°েāĻ° āĻĻোāĻ•াāĻ¨ āĻ—িāĻŸাāĻ°েāĻ° āĻĻোāĻ•াāĻ¨ āĻĒāĻ¨্āĻĄোāĻ• āĻŦেāĻ¤ুং, ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ āĻĒ্āĻ°াāĻ¸াāĻĻ āĻ—িāĻŸাāĻ°েāĻ° āĻĻোāĻ•াāĻ¨ āĻ—িāĻŸাāĻ°েāĻ° āĻĻোāĻ•াāĻ¨ āĻœুāĻ°াং āĻŽাāĻ™্āĻ—ু āĻ¤ৈāĻŽুāĻ°, ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ āĻĒ্āĻ°াāĻ¸াāĻĻ āĻ—িāĻŸাāĻ°েāĻ° āĻĻোāĻ•াāĻ¨ āĻ—িāĻŸাāĻ° āĻœুāĻ°াং āĻŽাāĻ™্āĻ—ু āĻŦাāĻ°াāĻ¤ , Istana Guitar ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаС иĐŊ Pondok Aren Guitar Shop , Istana Guitar ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ Pondok Karya Guitar Shop, Istana Gitar ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ Pondok Pesantren Guitar Shop , Istana Guitar ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ Guitar Shop Pondok Kacang Timur, Istana Guitar ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŊĐŧĐ°ĐŗĐ° Perigi Lama, Istana Guitar Shop Pondok Pucung, ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ Palace Guitar Shop Guitar Serpong District, ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ Istana Gitar Toko Buaran Guitar , Istan a Guitar ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚ Guitar Ciater, Istana Guitar ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ Guitar Shop Cilenggang, Palace Guitar ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ Guitar Shop Rawa Mekar Jaya, Palace Guitar ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ Guitar Shop Serpong, Istana Guitar ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ Guitar Shop Rawa Buntu, Istana Guitar Warehouse ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚ , ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ Istana Guitar Shop Lengkong Warehouse Timur, ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ Istana Guitar Shop Guitar Lengkong Wetan, ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ Palace āĻ—িāĻŸাāĻ°েāĻ° āĻĻোāĻ•াāĻ¨ āĻ—িāĻŸাāĻ°, āĻ‰āĻĒ-āĻœেāĻ˛া an Serpong Utara, ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ Istana Guitar Shop Lengkong Karya Guitar, ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ Istana Guitar Shop Pakualam Guitar Sh op , ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ Palace Guitar Shop Guitar Jelupang, ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ Istana Guitar Shop Paku Jaya Guitar, ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ , ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ āĻ‡āĻ¸্āĻ¤াāĻ¨া āĻ—িāĻŸাāĻ° āĻļāĻĒ āĻ—িāĻŸাāĻ° āĻļāĻĒ āĻĒāĻ¨্āĻĄāĻ• āĻœাāĻ—ং, иĐŊŅ‚ĐĩŅ€ĐŊĐĩāĻšিāĻ¤্āĻ°- Istana āĻ‡āĻ¸্āĻ¤াāĻ¨া āĻ—িāĻŸাāĻ° āĻļāĻĒ āĻ—িāĻŸাāĻ° āĻļāĻĒ āĻĒāĻ¨্āĻĄোāĻ• āĻœāĻ—ং āĻ¤ৈāĻŽুāĻ° , āĻ‡āĻ¸্āĻŸি-āĻ—িāĻŸাāĻ° āĻ—িāĻŸাāĻ° āĻļāĻĒ āĻ•েāĻ•াāĻŽাāĻ¤াāĻ¨ āĻ¸েāĻ¤ু , иĐŊŅ‚ĐĩĐĩĐĩĐž- āĻ—িāĻŸাāĻ° āĻ—িāĻŸাāĻ° āĻļāĻĒ āĻ•েāĻ•াāĻŽাāĻ¤াāĻ¨ āĻ¸েāĻ¤ু, иĐŊŅ‚Đĩ'ĐĩĐĩĐĩĐĩĐĩĐĩĐĩ āĻšিāĻ•িāĻ¤্āĻ¸াāĻ° āĻ—িāĻŸাāĻ° āĻļāĻĒ āĻ•েāĻ•াāĻŽাāĻ¤াāĻ¨ āĻ¸েāĻ¤ু,। āĻ•াāĻĻেāĻŽাāĻ¨āĻ—াāĻ¨ иĐŊŅ‚ĐĩŅ€ĐŊĐĩāĻšিāĻ¤্āĻ°-Istana āĻ—িāĻŸাāĻ° āĻļāĻĒ, āĻĒোāĻļাāĻ• āĻ—িāĻŸাāĻ° āĻļāĻĒ , иĐŊŅ‚ĐĩŅ€ĐŊĐĩāĻšিāĻ¤্āĻ°- Istana āĻ—িāĻŸাāĻ° āĻļāĻĒ āĻ¸েāĻĒ্āĻŸু āĻ—িāĻŸাāĻ° āĻļāĻĒ, иĐŊŅ‚ĐĩŅ€ĐĩŅ€ĐĩŅ€ĐĩŅ€ĐĩŅ€ĐĩŅ€ĐĩŅ€ĐĩŅ€ĐĩŅ€ĐĩŅ€ĐĩŅ€ĐĩŅ€ĐĩŅ€ĐĩŅ€ĐĩŅ€ĐĩŅ€ĐŊ Đĩay Babakangan āĻ—িāĻŸাāĻ° , āĻ‡āĻ¸্āĻ¤াāĻ¨া āĻ—িāĻŸাāĻ° āĻŽ্āĻ¯াāĻ—াāĻœিāĻ¨ āĻĒ্āĻ¯াāĻ˛েāĻ¸ āĻ—িāĻŸাāĻ°, āĻ¸িāĻĒাāĻ¯়ুং -āĻ āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ°, āĻ‡āĻ¨্āĻŸেāĻ°āĻ¨েāĻŸ-āĻŽ্āĻ¯াāĻ—াāĻœিāĻ¨ āĻ—িāĻŸাāĻ°েāĻ° āĻĒ্āĻ°াāĻ¸াāĻĻ , āĻ¸িāĻĒুāĻŸাāĻ¤ে āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ° , āĻ‡āĻ¨্āĻŸেāĻ°āĻ¨েāĻŸ-āĻŽ্āĻ¯াāĻ—াāĻœিāĻ¨ āĻĒ্āĻ¯াāĻ˛েāĻ¸ āĻ…āĻĢ āĻ—িāĻŸাāĻ°, āĻ‡āĻ¨্āĻ¸āĻŸাāĻ¨াāĻ¤ে āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ°, āĻ¸াāĻ“āĻ¯়াāĻ¨া Cheap guitars Jombang, ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚ , ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚- ĐŧĐ°ĐŗаСиĐŊ ĐŧĐ°ĐŗаСиĐŊ ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚ -ĐŧĐ°ĐŗаСиĐŊ ИĐŊŅ‚иĐŊĐĩŅ€, Istana ИĐŊŅ‚иĐŊĐĩŅ€ Cheap guitars Pondok Ranji, Istana ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚, ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚ -ĐŧĐ°ĐŗаСиĐŊ ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚- ĐŧĐ°ĐŗаСиĐŊ ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-иĐŊ ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-District Guitar Pamulang, Palace Guitar Online Shop Cheap Guitar Bambu Apus, Palace Guitar Online Shop Cheap Guitar Kedaung, Palace Guitar Online ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ Cheap Guitar Pondok Benda , Istana INTERNĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ āĻ—িāĻŸাāĻ° āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ° āĻĒাāĻŽুāĻ˛াং āĻŦাāĻ°াāĻ¤, āĻĒ্āĻ°াāĻ¸াāĻĻ ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ āĻ—িāĻŸাāĻ° āĻ¸āĻ¸্āĻ¤া āĻ—িāĻŸাāĻ° āĻĒাāĻŽুāĻ˛াং āĻ¤ৈāĻŽুāĻ°, āĻĒ্āĻ°াāĻ¸াāĻĻ ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚ -ĐŧĐ°ĐŗаСиĐŊ āĻ—িāĻŸাāĻ° Cheap Tar Pondok Cabe Udik , Istana ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚- ĐŧĐ°ĐŗаСиĐŊ ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ ĐŗиŅ‚Đ°Ņ€Ņ‹ Murah Pondok Aren, Istana Guitar ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ ĐŗиŅ‚Đ°Ņ€Ņ‹ Murah Pondok Karya, Istana Guitar ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ ĐŗиŅ‚Đ°Ņ€Ņ‹ Murah Pondok Kacang Barat, Istana Guitar ИĐŊŅ‚ĐĩŅ€ĐŊĐĩŅ‚-ĐŧĐ°ĐŗаСиĐŊ ĐŗиŅ‚Đ°Ņ€Ņ‹ Murah Pondok Kacang Timur, āĻ‡āĻ¸্āĻ¤াāĻ¨া āĻ—িāĻŸাāĻ° āĻ‡āĻ¨্āĻŸাāĻ°āĻ¨েāĻŸ-āĻŽ্āĻ¯াāĻ—াāĻœিāĻ¨ āĻ—িāĻŸাāĻ° āĻŽুāĻ°াāĻš āĻĒেāĻ°িāĻ—ি āĻ˛াāĻŽা, āĻ—িāĻŸাāĻ° āĻĒ্āĻ¯াāĻ˛েāĻ¸ āĻ‡āĻ¨্āĻŸেāĻ°āĻ¨েāĻŸ-āĻŽ্āĻ¯াāĻ—াāĻœিāĻ¨ āĻ—িāĻŸাāĻ° āĻŽুāĻ°াāĻš āĻĒেāĻ°িāĻ—ি āĻŦাāĻ°ু,

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